A preview:
9:58 PM
James: may i start my blog post quoting a conversation with Chloe in which she is quoting you?
9:59 PM
Jess: haha...what is it?
10:00 PM
James: “Chloe: i love jess: Jess: okay- time for Canagaidontgiveadamn...ormaybeidobutwishitwereshorter”
hahaha!
Jess[responding to James’ request to quote the conversation]: dear god, James. i'm gonna sound like an idiot
James: No you won't. everyone will know it's out of context.
10:03 PM
…
If you read this exchange, it may seem some of my thoughts
on Canagarajah’s book are straightforward (though frivolous): “Canagaraidontgiveadamn…ormaybeidobutwishitwereshorter.” Admittedly,this quote may be channeling the tired and whiny side of me, but I do want to touch on this because I’ve been trying to think about what makes something a “good” article or “good” scholarship and the conventions one must use in order to succeed in academia. Honestly, I find C’s book fascinating: I have, somewhat embarrassingly, never thought of how other countries publish; I have
never thought past the material resources that I know the United States has; I have never really thought about how difficult (and almost impossible) it is for some people to be a part of ongoing conversations in Composition and Rhetoric when they live in a country in the “periphery.” For what C does with these points, I admire the book.
But, on the other hand, I did feel an overwhelming amount of repetition in the book, to the point that it distracted or took away from some of my desire to continue reading. And, while I flippantly stated this in my conversation to Chloe and James, I do think that there is much at stake in C’s book. His point IS worth giving a damn. But his lengthy chapters and constant reinforcement were pulling me away. I couldn’t help but think of this when C states that “it is also the case that many local scholars stereotype the supposed restraint and tautness of center-based rhetoric. In some texts, then, the restraint and brevity are consciously employed by the local writers, under the
impression that this is what is appreciated in the center” (120). Here, C identifies how some periphery scholars over-exaggerate the conventions of academic writing in the center. But, while he calls this a “stereotype,” I wonder what that says about my reaction to C’s writing. Do I want shorter chapters and less repetition of the material constraints periphery scholars face because of the writing conventions that my center-education has imposed on me? Or is it as simple as me just wanting a shorter book? I’m not sure, to tell the truth, but I constantly think back to a professor expressing that it
would behoove me to “aim for a more taut writing style.” I think this is a point worth thinking about because how I teach (or tutor) writing is largely based on what my teachers have suggested to me (imagine that!). In essence, I think this could come back to the ideological positions that we (whether consciously or not) impose on others.
Take, for instance, an example from my teaching this summer. I was working on a paper with a student of mine from Poland. While his paper was well written and generally informative, clear, and interesting, I specifically worked with him on organization. I pushed for a thesis-type statement at the beginning (though I didn’t call it this since it was not a research paper), which would point me in the direction of his topic and stance. He responded with confusion : “but we don’t do that in Poland. We do that at the end of the paper.” Though I did not want him to “unfairly stack[] the deck in favor of [his] own position,” as C states (about local scholars’ ideas of putting a thesis at the beginning), I did, indeed, want his voice to be at the forefront (147). But why? Because that’s what I was taught! So, in effect, I was teaching my students to conform to my own center-based conventions, even while their writing was already “good” in my opinion. In teaching them “proper academic writing,” I think I could have unintentionally undermined conventions of their own country. I’m not evaluating whether this was right or wrong or if I’m a wonderful teacher or if I irreparably damaged this student’s thoughts on writing. I do care about thinking about this in the future though—in my own writing, tutoring, and teaching. And Canagaihavealovehaterelationshipwithhiswriting taught me that. So, thanks, C!